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In the early 1800's two dwellings stood on 'this side' of a bridge which connected the Ukrainian village of Sokolovka south and east with open fields north and west. One of these dwellings was a hostelry: the other was occupied by the candlemaker family, Kaprov. (1) A son of this family was the progenitor of the B'nai Khaim of this book. The bridge also connected two counties in the province of Kiev. Sokolovka lay in County Uman; the hostelry and the candlemaker's home lay in County Lipovetz.

The city of Uman lies almost on a straight line, except for a slight dent westward, between Kiev, 120 miles to the north, and Odessa 163 miles to the south. Lipovetz lies some 60 miles due west, and Sokolovka, some 20 miles due north of Uman.

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(See map) The bridge, if 60-year-old memories may be trusted, (2) was a quarter of a mile or so long. It was a brushwood, dirt-impacted dam built to form a lake from the flow of a stream that passed through the village of Popovka some two miles to the south-west. At the Sokolovka end of the bridge a sluice channeled the flow over the water-wheels of a flour mill. In the middle of the bridge a larger sluice. About 30 feet wide, cleared the overflow of the lake in a waterfall 20 feet or so high, a delight for summer bathers. The fall splashed onto a wooden platform some 30 feet square. From here it slithered down three or four feet into a treacherous ravine.

A couple of hundred yards ahead of the platform the flow disappeared, between two rows of birch trees, into an old channel toward the village of Konella about three miles north. A few peasant huts hugged the northward stream and disappearcd from view with it. The lake was a bowl, shaped in the form of an open oyster shell. It was narrowest at the bridge and widest on the east-west stretch a mile or so away. A small, tree-covered island at the southeast corner of the lake was an enticing goal for 'long-distance' swimmers.

Symbolism Amada – When Lupeng rushes to find her cook, Amada, she sees her in a compromising position on the bed which makes Lupeng blush and feel restrained about her own sexuality. This is the first trigger for Lupeng before she announces she wants admiration. The summer solstice by nick joaquin pdf file online. This festival is the last trigger to make Lupeng feel as though she is stronger than a man and deserves adoration. The Tatarin festival is the exact opposite, showing women as leaders of fertility since they carry children. Guido’s Speech – When Paeng’s cousin Guido returns from Europe, he tells Lupeng of his travels.

It lay about a thousand feet from the Jewish cemetery. Except for the hostelry and the candlemaker's home, 'this side' of the bridge was largely pasture land. Twisters and dust blasts were frequent there, even years later when the area had become inhabited.

From the bridge level the land rose sharply for a distance of about 500 feet and then flattened out toward the horizon. This is the way it was when Nicholas I became Tsar of all the Russias in 1825. At that time, in one of his early anti-Jewish edicts, a legend went, he declared that Jews who lived in villages but did not own or cultivate land must be expelled to live in towns of their own.(3) Most of the Jews, perhaps as many as 35 families, then living in Sokolovka were subject to that edict. They had been the local shopkeepers, traders and craftsmen and did not own or cultivate land. So, expelled they were, to 'this side' of the bridge.